Creative Leadership http://creativeleadership.com Thinking out loud on an emergent topic posterous.com Mon, 30 Jan 2012 15:42:00 -0800 Creative Experimentation http://creativeleadership.com/creative-experimentation http://creativeleadership.com/creative-experimentation

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I caught the announcement of a free webinar from MIT entitled "Creative Experimentation: Developing a Skill critical for Managing Complex Operating Systems" via Paul Levy's blog. This offering looked quite interesting, but it conflicted with an important meeting I had scheduled at the same time. Nonetheless, I registered just in case I might have a chance to listen in. And sure enough, I had a 10-minute walk to my meeting and I was able to listen in to the webinar from my phone. I thought it quite interesting how you can learn *anywhere* nowadays – even from a professor at a remote university while you are a college president walking between meetings. Here are my notes from what I heard on the initial minutes of the call:

  • "Don't think your way to an answer. Discover your way to an answer."
  • "Your first pass doesn't have to be perfect. It just needs to be directionally correct."
  • "Unless you are generating new data or generating new insights, you won't be doing something differently."
  • If you don't know enough, do it in a way that is small and unobtrusive as a pilot."
  • "Organizations throw their own obstacles in the way."
  • "Organizations are nested. Each nest deals with the problems appropriate to their own boundaries. When a problem crosses boundaries of a nest, there's a need to move up in the hierarchy of the nests ... or else a need to change the boundaries of a nest."
  • "See the problem. Run the experiments. Validate the data."
  • "Identify the problem. Create Experiments. Test the solutions." (this was a refrain)
  • "Knowledge gets shared through communities with shared interests."
As with all things in life, I wish I could have listened and learned more. Oh well. -JM

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Sat, 28 Jan 2012 05:36:00 -0800 Women Power at Davos http://creativeleadership.com/women-power-at-davos http://creativeleadership.com/women-power-at-davos

I favorited these tweets by Bill Gross from the Davos special session on "Women Power" – I couldn't find an article online that covered the session as succinctly as Bill did:

  • "Just last week I saw shirts that said 'Smart Like Daddy' & 'Pretty Like Mommy' at Gymboree" Sheryl Sandberg of #FB #WEF #Davos
  • "As a women gets more powerful & successful, she becomes less liked, opposite of men." A passionate Sheryl Sandberg @ #WEF #Davos
  • "An extra year of primary school can increase a girl's future wages by 10-20% or more" Michele Bachelet of UN @ #WEF #Davos
  • "We don’t raise our daughters to be as ambitious as our sons." laments Sheryl Sandberg of Facebook at #WEF #Davos
  • "Imagine if 1/2 of the world's population were allowed to reach its full potential." Women as the Way Forward @ #WEF #Davos
  • I've lived in a society that judged me on something I could do nothing about, the colour of my skin. We're doing the same w/women -Tutu #WEF
  • “I got to where I was because I only had to compete with ½ the population” Sheryl Sandberg quoting Warren Buffet @ #WEF #Davos

This article from the Guardian is close. I was reminded of one of my favorite commencement speeches from last year by Sheryl Sandberg. -JM

 

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Sat, 28 Jan 2012 04:20:00 -0800 Mom's Magic http://creativeleadership.com/moms-magic http://creativeleadership.com/moms-magic
When I first arrived at RISD, I was given a book by our talented head of dining and retail, Ginnie Dunleavy, called "Setting the Table" about the concept of hospitality. I always enjoyed the basic thesis of the book – "Is the customer always right?" The answer is no – but, "They must always feel heard."

Four years later, I became suddenly compelled to read, "The Cornell School of Hotel Administration on Hospitality" – it makes a precise distinction between hospitality and service in a variety of ways. It reads,

"If hospitality is heavily qualitative, then service is more quantitative. Service can be scripted and dictated, mechanical, and drilled. You can evaluate service more easily than hospitality. Service is repetitive, efficient, consistent, continuous, tailored, customized, and sustainable. Unlike hospitality, service is much easier to perfect through training, drill, exercise, and continuous commitment. With such practice, service can be taken to the highest level of technical perfection. But for true excellence, service and hospitality must combine. One cannot exist without the other." 
It goes on to describe hospitality as those qualities that relate to certain keywords like: warmth, friendly, listening, respect, treatment, guest, sensitivity, genuine, memorable, and unique.

As someone who grew up working in a small factory in Seattle and having had the privilege of serving many customers from dawn to dusk, six (and sometimes seven) days a week with my family, I never thought much about what made it a solvent business. Our product was priced lower than our competitors, and yet the quality was much higher. There were no employees besides my siblings and mom/dad, so you could say that labor costs were lower than normal. It didn't quite make sense to me.

My father believed in the quality of work as something vital to his being – as trained to be someone who makes things exquisitely well. So if he needed to sustain the quality of his product, tofu, at an absurdly high level, he would select the best soybean seeds and the best natural ni-gari that he could procure. And of course, he'd progressively reduce his margins in the process. 

My mother didn't have a business background as well, and yet somehow their little business survived many ups and downs. And their overall "business" goal could be achieved – which was to send me and my siblings all off to college so that we might not have to make tofu for a living.

The Cornell book was useful because it gave me the "aha" I could not articulate for all these years. Dad was service – which was embodied in the product that he made to a high level of perfection. And mom was hospitality – which is the real reason that customers came back.

I recall countless arguments between my parents because my mother would often talk to customers at length – she was from Hawaii and with her inimitable charm could keep customers in our storefront forever. The arguments would be grounded in my father's silent need to silently make the product in the backroom, and to want her help in that process. Meanwhile in the storefront, because of my mom the customer has lingered for so long that they can't help but buy a few of the Japanese canned goods (with higher margins) on our shelves. And furthermore, the customer has personally committed to come back again to if at least chat with my radiant mom with her Hawaiian warmth as an antidote to the famous Seattle rainy weather. 

The line above from the Cornell book says it all,

"But for true excellence, service and hospitality must combine. One cannot exist without the other."

Luckily they stayed married all those years, and still are. -JM

 

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http://files.posterous.com/user_profile_pics/44027/maeda-1_bigger.png http://posterous.com/users/Q1uU3CzR3r John Maeda John John Maeda
Fri, 27 Jan 2012 04:22:00 -0800 Battleship, Nicotine, and Vitamin C http://creativeleadership.com/battleship-nicotine-and-vitamin-c http://creativeleadership.com/battleship-nicotine-and-vitamin-c

I'm a big believer in acupuncture ever since an episode I had 17 years or so ago where my hands were numb from typing. After seven visits to the acupuncturist I could use my hands again. Since I'm not getting any younger and I still type a lot (witness this post), I've been visiting the acupuncturist again. 

My first acupuncture therapy was in Japan with Dr. Shuichi Katai who is a prominent researcher in the field who made it interesting for me. Dr. Katai would often teach acupuncture outside of Japan, and he suggested that when I have acupuncture done again in the future that I select a doctor who could read Chinese because the way it is practiced in "the West" is less holistic way than the way it is taught in Asia. He explained that in the West, the various needle points on the body (at least 17 years ago) are labelled with letter/number combinations – much like playing the Milton Bradley (now Hasbro) game "Battleship" with "E-17" or "H-22" etc. Whereas if you read the Chinese literature on acupuncture, there's a narrative logic between the various meridians in the body that can describe a more holistic connectivity of all the various points. The Battleship analogy still holds, I believe, because frequency is important with acupuncture because the doctor is trying to metaphysically "sink" a few battleships in your body.

Luckily like Dr. Katai, my new acupuncturist Dr. Z doesn't silently administer her needles – we often talk about the nature of acupuncture and how it all works. I like how she describes acupuncture as being able to address three important health factors: 1) the immune system, 2) blood circulation, and 3) mental and physical stress. She described two situations that I thought have some connection to leadership that I haven't fully connected in my mind, and leave this note for the future.

Dr. Z has many patients that come to try to stop smoking. She described to me how it is much easier to stop smoking when you smoke 30 per day versus someone that smokes just six a day. Her rationale was that in trying to quit smoking, you are going from "a lot" to zero. The attack path is clear, the goal is clear, and it is felt throughout. Whereas when you are trying to quit from six a day, your mind has already acclimated to a "this is just as good as smoking zero" rationale. It reminded me of one of the concepts in the Heath brothers book Switch where they talk about how important "motivating the elephant" can really be. It's like when they say how easy it is to make a change happen in the face of a major perceived need; whereas it's much harder to change when the need is only slight. Nonetheless, Dr. Z is proud that she's been able to help many of her patients quit smoking. How does she do it? Dr. Z coyly smiles and says, "Because I address their immune system, their blood circulation, and their mental and physical stress." She also added, "Because everyone loves to look a little more beautiful – reducing smoking makes their faces look much more fresh."

The other story I enjoyed from Dr. Z was her take on Chinese medicine and herbs. She felt that there's a problem with medicine in general where people believe that if they take more, it's proportionately more better for them. As an example, she said that it's long been known in China to prescribe 10 milligrams of Vitamin C as herbs. But she finds it odd that we believe here in the States that 100 mg or even 1000 mg will be ten or one hundred times better for us. It made me think of how there's a limit to the power of a solution. And if you can't see that limit, and stop at the right moment, then you've actually made a new problem instead. It's an argument that supports the classic, "Less is better than more." Or perhaps said differently, "Enough is more than good enough – it's great."

This post is not in a fully organized state, and I leave it as a note for myself. I hope that someone out there can use it somehow. -JM

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Tue, 24 Jan 2012 05:48:00 -0800 Leading with Humility http://creativeleadership.com/leading-with-humility http://creativeleadership.com/leading-with-humility

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Last week I was fortunate to have lunch with one of my favorite thinkers, David Brooks. It felt a little bit like when I had a chance to hear how Charlie Rose thinks up close – I was inspired, thrilled, and frankly in absolute awe for how they think and approach the world. I tried to take notes while he was talking but I can't quite read my own notes ... so I'm posting this note on the Web to try and jog my memory.

The main takeaway I got was David's deeply rooted sense of curiosity around the concept of humility. He's written one of my favorite essays on the topic for the NYT here and more recently here. he told me a story about a newspaper publisher he once worked with who would tour the country seasonally to generate sales. David would be invited along on these trips once in a while to give a short talk. He commented on how the publisher would tell his clients in all frankness, "You know ... we're not doing a good enough job in our work. We could have done *that* differently, and *this* differently, and there is so much we need to do better." Note that this was a "sales" call – which is quite extraordinary when you think about it. David mentioned that it wasn't a gimmick. It was exactly how the publisher felt about how well (or not) he was leading his organization. And clients signed on for even more ads. 

I find this story interesting, because it works counter to what we usually expect of leaders: for them to be perfect, to know and to be able to say exactly how great a job they are doing, and to never, ever, ever express doubt in their own ability to lead – when in reality, we know that in this complex, ever-changing world today, nobody really has the answers that pave the 100.0% perfectly prescribable path to the future.

We closed our lunch on a thought that will pleasantly haunt me for the coming weeks. David asked out loud, "Is it possible to be argumentative and humble at the same time?" I humbly leave this thought for you too. -JM

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Fri, 20 Jan 2012 08:41:00 -0800 Catfish Boss http://creativeleadership.com/catfish-boss http://creativeleadership.com/catfish-boss

I learned of an interesting story about the Korean loach fish from a long time friend when we were sharing thoughts about how large organizations exist. Our conversation eventually centered around a common friend who unfortunately had a boss that was making this person's life miserable. So he brought out the loach fish to help me see the world in a whole new way that I wanted to share with you.

Apparently, according to tradition this fish is a special delicacy to be enjoyed freshly caught, but only during summer months when they are particularly scarce. They can't be caught in Seoul anymore and must be transported many hours away from the countryside. There was a longtime issue with transporting these fish because not only were they scarce, but they would often perish during the trip into Seoul during the hot summer months.

My friend then introduced the catfish into his story, "You know that the catfish is a carnivore -- it eats other fish." I didn't, but I took note and wasn't sure about the relation to the challenges of the loach fish that die before they get eaten (we can argue later which form of demise is better). He further described the solution that was introduced to assure that more loach fishes make it from the countryside to cityside: put a catfish in the tank of loach fishes.

"Huh?" I thought. This method of placing a loach-hungry catfish in the presence of lots of friendly, law-abiding loaches apparently improves their survival in transit by over 60%. What does this say? I think it confirms that old adage of, "What doesn't kill you makes you stronger." So if you out there may have the apparent fortune of having a "catfish boss" -- ie one that is out to eat you -- congratulations! You will be luckier for the experience, and are more likely to survive for another day (or at least between a few more meals). -JM

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Fri, 30 Dec 2011 10:04:00 -0800 Your Team's Plus One http://creativeleadership.com/your-teams-plus-one http://creativeleadership.com/your-teams-plus-one

With the year winding down, I'm reminded of how forgetful I can be. But luckily we are all connected and we all help us to remember everything, together. So I was delighted to just now receive a message from the uniquely gifted Mukara Meredith. The subject line was "Re: The Tenth Person" – taken from an email interchange I had with her loooong ago. 

Mukara pointed out, to me, how often times within the workings of a team, the leader is often fixated on the many individual and group relationships/dynamics within the membership. Her point was that we so often look for "teamwork" and yet we don't give it a role on the team itself. In other words, we don't often enough write the job description for the "invisible" member of the team, and then hold him/her/it accountable for the performance of the overall team. So as a practical example, for a team of nine you want to call out the "tenth" member of the team as someone/something that needs a performance review alongside everyone else as representing the id of the team's teamness. 

As a concept, this might seem a bit uncomfortably ethereal – because it is. And yet it helps to make the intangible quality of "teamwork" entirely tangible, and accountable with the human resources instruments that we are already employ. Thanks for reminding me of the extra, invaluable member of every team, Mukara! -JM

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Wed, 21 Dec 2011 06:51:00 -0800 And Daddy Lost http://creativeleadership.com/and-daddy-lost http://creativeleadership.com/and-daddy-lost

Author Douglas Huh is working on a book on passion in work life, and he sent me a list of 18 interesting questions on the topic. One of his questions reminded me of an episode in my life that gave me a different perspective on things.

13. I believe people can acknowledge their level of passion when they are “truly moved by their own efforts”. Borrowing this aspect, could you share with us your experience of being truly moved by your own efforts?

I disagree. When you allow yourself to be moved by your own efforts you can easily become complacent. So in answer to your question, I've never been moved by my own efforts. It allows you, sometimes, to see something else of greater importance that you may have missed.

Long ago, I was nominated for an award at a multimedia festival that used to be held in Cannes. I brought my oldest daughter, who was 9 at the time. For fun, we went to McDonalds together -- which was special to see the French version with her. The award ceremony opened with a massive production that was Cirque de Soleil style and over the top. Then there was the big moment where the nominees were being announced, and my producer was getting us all psyched to go up to the podium for the win. But my name wasn't read. We went back to the hotel, and my daughter wrote a fax to my wife, Kris, to report the day's events. It read, "Dear Mommy, We went to McDonalds and I got a Bugs Life toy in my Happy Meal! We ate Indian food for dinner. Daddy's producer made someone eat a hot chili pepper. There were acrobats and clowns. And Daddy lost. Good night!" I was reminded how children help us notice what truly matters in life.

Only a few more days left in the year of 2011. Reflecting. -JM

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Sat, 17 Dec 2011 11:49:00 -0800 Bob and Roberta Smith http://creativeleadership.com/bob-and-roberta-smith http://creativeleadership.com/bob-and-roberta-smith

I attended a lecture at the RISD Museum in October by the British artist Bob Smith (Roberta is his alter ego). It was dark in the Metcalf auditorium, but I scribbled some notes that I've always wanted to transcribe because much of what he said was at the intersection of being serious, funny, obvious, contradictory, over-the-top, and downright inspiring:

  • "Artists, poets, dancers, architects built America and they will rebuild America with art at its center."
  • "Artists are people who speak out. So being an artist is a tough, dirty job."
  • "Art is the economic stimulus that the world needs right now."
  • "Everybody needs/enjoys/consumes images."
  • "The art world is a gated community."
  • "I need to think that art can help."
  • "Artists are people that want to add something that they see missing."
  • "Creativity is about a certain kind of rebellion."
  • "Everything is made."
  • "While art is being accepted into society, it's important for art to retain a critical underground."
  • "Make your own d*mn art!"

Bob leads what he calls the "Art Party" -- a kind of politics that the world might need right now. -JM

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Sun, 11 Dec 2011 13:48:00 -0800 Forgetting why you/they're here http://creativeleadership.com/forgetting-why-youtheyre-here http://creativeleadership.com/forgetting-why-youtheyre-here

I enjoyed this quote from Joi Ito in a recent article in Fast Company: 

"The Japanese government once asked me to be on a committee about taxes and information technology. The first thing I said was, 'Let's figure out a way to use resources more efficiently to lower taxes.' And they said, 'No, no, no--this committee is about using computers to collect more tax.' So I asked, 'How do we reduce costs?' And they said, 'Oh, there's no committee for that.' [Laughs] That's the problem with large organizations. They create roles and constraints, and sometimes people forget why they're there."

It's similar to something I overheard recently, "Your customer doesn't really give a **** about your silos or internal politics." In essence, we so easily forget why you/we/they're here. -JM

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Sun, 30 Oct 2011 11:28:12 -0700 Andrew Crawford on Design at Gunpoint http://creativeleadership.com/andrew-crawford-on-design-at-gunpoint http://creativeleadership.com/andrew-crawford-on-design-at-gunpoint
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Sculptor and "iron" entrepreneur Andrew Crawford introduced me to a uniquely extreme thought regarding the creative process, as described in this little audio interview. His sculpture work is visible at: http://www.ironisking.com/ -- the pieces there help to explain his intense psyche quite clearly. -JM

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Sat, 08 Oct 2011 15:21:00 -0700 Being the answer http://creativeleadership.com/being-the-answer http://creativeleadership.com/being-the-answer

Last week with the loss of Steve Jobs I'm a bit off balance like many out there. I shared some of my thoughts with NPR's Morning Edition: http://risd.cc/naPMp2 but am still way bummed right now. I clip a lot of things out of magazines and the likes and put them in my wallet, and rifling through it this morning I found something that gave me a needed smile. It's from an interview with actor George Clooney on the topic of failure from Parade Magazine: http://risd.cc/q4Ux1h

You’ve talked about how lucky you are. What have you learned from your failures?

It’s hard when you get thumped. I’ve been proficient at failure. But the only thing you can do is say, “Here’s what I won’t do next time.”

I was a baseball player in school. I had a good arm, I could catch anything, but I was having trouble hitting. I would be like, “I wonder if I’ll hit it; just let me hit the ball.” And then I went away for the fall, learned how to hit, and by my sophomore year I’d come to the plate and think, “I wonder where I want to hit the ball, to the left or right?” Just that little bit of skill and confidence changed everything. Well, I had to treat acting like that. I had to stop going to auditions thinking, “Oh, I hope they like me.” I had to go in thinking I was the answer to their problem. You could feel the difference in the room immediately. 

The greatest lesson I learned was that sometimes you have to fake it. And you have to be willing to fail.

Thanks George. Thanks Steve. -JM

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Mon, 05 Sep 2011 16:35:15 -0700 A Quick David Kelley-let http://creativeleadership.com/a-quick-david-kelley-let http://creativeleadership.com/a-quick-david-kelley-let
David Kelley.m4a Listen on Posterous

A few years ago I was in the habit of asking random creative leaders the question, "What should future artists and designers know?" straight onto my iPhone. I'm certain that I will lose all these recordings someday (given that my computer's hard disk failed recently) so I will try to trickle some of them here. This is a 3-minute piece where David Kelley (co-founder of IDEO) expresses the desire for more designers to know how to communicate better with executives as their time has come to address the C-level-folks. Personally, the reason why I got my MBA was to understand "best practices"- and "quad-chart"-speak to demystify what I heard from many business colleagues, and was relieved to know we were essentially saying the same thing -- just in different languages. -JM

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Fri, 02 Sep 2011 06:45:00 -0700 Productively fail http://creativeleadership.com/productively-fail http://creativeleadership.com/productively-fail

Today I had my first teleconference with a new council I've been invited to join – the World Economic Forum Global Agenda Council (GAC) on New Models of Leadership. I had previously served on the GAC on Design, and it's interesting to be within this new space of leadership where "creativity" is usually perceived as not a norm (as it is in the design field). I'm on the council to contribute my perspective on what we can learn from art and design in leadership, and can see how I was completely wrong about how experts on leadership are adopting creativity as it pervaded our discussion today. One of the experts on entrepreneurship shared the notion of "failure" as an especially important aspect to manage for a successful entrepreneur where risks are usually enormously high. An innovative CEO shared how he requires all managers that apply to work with him to submit their "failure resume" – because he wants to evaluate their own self-awareness. I shared the art and design world perspective as voiced by Rocco Landesman, Chairman of the National Endowment of the Arts" on how artists teach us how to "productively fail" as exemplified by the critique process they learn in art school. But my absolute favorite was from a member of the council that is in the sports arena: 

"Many times leaders in the public sphere are criticized for some mistake or failure as if it was the worst thing imaginable to happen. But as a coach of a hockey team I've learned that if you as a leader are not willing to feel any pain you are not willing to risk anything -- you are not reaching high enough and far enough. I tell this to my players all the time -- if they're not failing, they're not trying hard enough."

The diversity of the group is incredible, and I'm looking forward to learning more. -JM

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Thu, 01 Sep 2011 07:54:00 -0700 Prized Thinking http://creativeleadership.com/prized-thinking http://creativeleadership.com/prized-thinking

Almost ten years ago I was vacationing on Cape Cod with my family when I was reading through the obituaries (the beauty of vacation is that you can get so bored that you read absolutely all parts of the newspaper at least five times) and found this story about the late Professor Martin Deutsch. He was someone who was long reputed as having missed the opportunity during his life to win the Nobel Prize, but having done amazing things nonetheless. His attitude towards this prevailing attitude was particularly endearing: 

"My attitude to prizes is peculiar, not clearly pathological but peculiar," Deutsch wrote. "I'm really glad that I did not get the Nobel Prize in 1956. It would have spoiled my life."

He recalled a story from when he was a child on summer vacation with his family and how his mother had entered him in a potato-sack hopping race for children. He had the chance to win, but he lost intentionally:  

"I was leading. I recall that I deliberately slowed down in order to come in second. The reasons for this action were quite complex but an oversimplified description could be that I did not want to give my mother the satisfaction of saying, 'My son, the sack race winner.'"

To be ultimately known for the quality of your work, instead of the quality of the prize for your work, seems like an elegant way to aspire to live one's life as someone who makes things. -JM

 

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Tue, 30 Aug 2011 03:23:45 -0700 Communities and Innovators http://creativeleadership.com/communities-and-innovators http://creativeleadership.com/communities-and-innovators
I enjoyed this short talk by artist and author Hilary Austen where she posits:

The urgency of communication between community and innovator breaks down *all* the time.

She offers the story of a firefighting team in the 1940s and the one person on that team who was a "think different" kind of person. He had a solution to save everyone's lives on the team but nobody else would listen. 

It's an interesting underlying thought on how artists are natural outsiders for whom translating their work to communities that don't understand the possibilities of art can be truly important. Without that translation however, the possibilities cannot be bridged.

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Wed, 06 Jul 2011 03:28:00 -0700 The Right Thing, Unhesitatingly http://creativeleadership.com/the-right-thing-unhesitatingly http://creativeleadership.com/the-right-thing-unhesitatingly

I saw a friend I hadn't seen in a while and was gladly reminded of how she serves as an inspiration to me because of a specific event almost a decade ago. 

There was a big event in Boston, to which I had a few of my students come and exhibit their work. It was one of those big gatherings where there were over ten thousand people from all around the country. One of the students had just given a presentation together with me that went well -- it was her first such presentation and was still only a college sophomore so it was a real point of achievement and excitement for her. And when we returned to the exhibiting area she quickly turned pale because her purse appeared missing -- we were all so exhausted with the preparations for the show, and so only naturally her sense of unfortunate surprise turned to unhappy tears.

And then something quite special happened. One of my other students, an exceptionally sturdy freshman (who I hear is getting married now -- oh how time flies), walked up to her in a matter-of-fact kind of way and said softly, "Do you need a hug?" "Yes," was the happy/sad reply. The two students didn't know each other that well, and to see this kind of supportive camaraderie on our budding team was quite rewarding as a leader. It all felt right, but what was even more rewarding and humbling came a few seconds afterwards.

The friend I mention at the head of this post was walking the exhibition floor at the end of the day. She was in charge of logistics for the event that year -- a gargantuan task that she was still on day two of three days. I waved to her as she walked towards us -- she noted the comforting but sad embrace between the two students. "What happened?" she asked. I explained the high, and then the low, and then the hug. And I immediately saw her hand unhesitatingly reach into her own purse as she walked over to the two young women while saying, "Well ... a girl's got to have some cash. Can I lend you some money until you find your wallet?" I was struck by her absolute kindness for someone she didn't even know. But for my friend, despite her long day of countless forms of triage with the large event and her accompanying fatigue, it seemed like helping out a complete stranger with such plainhearted kindness was an absolute given. She led without the pretense of "leadership" -- she simply did the right thing. I jumped in and explained to my friend I would take care of the situation and thanked her for her kindness. My entire world changed that day.

So the unsolicited kindness from one student to another, with a spontaneous and supportive hug. And the kindness from a stranger to another person in need without any hesitation at all, were two real treats that day -- both exhibiting the most elegant form of leadership: giving and serving in unhesitating ways. It was a humbling, formative experience that I was happy to remember this week. -JM

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Fri, 10 Jun 2011 18:29:00 -0700 On Standing Up http://creativeleadership.com/on-standing-up http://creativeleadership.com/on-standing-up

A close friend recently shared an enlightening story about her mother -- a woman who raised a family of three all on her own during the sixties. In the last few months of her mother's life, my friend would go and visit her at the hospital on a daily basis to honor one important request by her mother. It was so that her bedridden mother could stand on her own -- if only for a minute. She recalled how everyday she would lift up her frail mother, and just hold her up with both arms while with each visit her mother successively couldn't stand on her own.

My friend explained what she thought, a few decades later, about what was meant by her mother's inexplicable desire to stand up everyday. She elegantly interpreted it with the following, "Standing up means being present for the experience of life. It means you need to go through it, not around it, nor just waiting for it to end while lying down in bed. She wanted to stand up, and take it, and own it." The idea that the action of standing up -- an action we often take for granted -- can mean *so* much more has profoundly changed my perspective. Definitely for both my altitude and attitude. -JM

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Mon, 06 Jun 2011 16:48:00 -0700 The True Joy in Life http://creativeleadership.com/the-true-joy-in-life http://creativeleadership.com/the-true-joy-in-life

A favorite, inspiring quote by George Bernard Shaw via Matt Goldman of blueman.com:

This is the true joy in life, being used for a purpose recognized by yourself as a mighty one. Being a force of nature instead of a feverish, selfish little clod of ailments and grievances complaining that the world will not devote itself to making you happy. I am of the opinion that my life belongs to the whole community and as I live it is my privilege - my privilege to do for it whatever I can. I want to be thoroughly used up when I die, for the harder I work the more I love. I rejoice in life for its own sake. Life is no brief candle to me; it is a sort of splendid torch which I've got a hold of for the moment and I want to make it burn as brightly as possible before handing it on to future generations.

-George Bernard Shaw

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Fri, 06 May 2011 06:22:00 -0700 The Language of Art, by Paul Rand http://creativeleadership.com/the-language-of-art-by-paul-rand http://creativeleadership.com/the-language-of-art-by-paul-rand
My introduction to the field of design came when I stumbled upon one of Paul Rand's books while I was an undergrad at MIT. It was a little over a decade later when I had the fortune of meeting Mr. Rand at his studio in Connecticut in the mid 90s. He was alone, and that day his assistant hadn't arrived yet. So he asked me to stay for the day and work on the final touches of his book. It was Mr. Rand's last book, From Lascaux to Brooklyn. I can't really explain the feeling of finding someone's book, and then changing your entire life direction only to find yourself in a random moment years later typing your name into one of their books. It's a good feeling, when you can get it. I visited Mr. Rand a year later and he gave me this copy of the book. He gave me a short essay that he wished was in the book that he had just handed out at his lecture at Cooper Union. Mr. Rand unfortunately died that year. He was 82 years old. 

As I was looking at his book just yesterday -- I hadn't touched it for years -- the two pages fell out and onto the floor. It's Mr. Rand's unpublished essay on "The Language of Art." I looked for it on Google and it's posted elsewhere, but I thought I'd post it here too. I enjoyed the essay immensely, and I hope you enjoy it too. He was quite controversial in his take on the relationship between content and form. Like all good artists and designers, he knew how to take a stance and stick to it with all his heart, body, and mind. Here are some notes from his last public lecture, which I hosted when I was a junior professor at MIT. -JM

The Language of Art
by Paul Rand

A miscellany of archeology, history, biography, geography, political science, psychology, sociology, technology, entertainment, economics, marketing, and merchandising comprises the subject matter of most art talk. But this does not constitute the language of art.

Art is primarily a question of form, not of content. This explains Clive Bell's "significant form," often maligned and misunderstood by practitioners, philosophers, dabblers, and connoisseurs. Content is a passive and subordinate yet important partner in this relationship, which is fundamental to an understanding of the language of plastic art.

To discuss the appearance of things is to deal with matters of aesthetics. Aesthetics is the language of appearances -- of art, design, the beautiful, and the ugly. Without aesthetics, talk about art is not about art. To talk about, study, teach, or criticize a work of art focus must always be on problems of form in relation, of course, to a particular content.

An artifact is transformed into a work of art only when the conflict between form and content is resolved. The term art, has been bandied about so carelessly that it has almost lost its meaning. For example, it seems that one of the ways a painting earns its place in the pantheon of art is by being rendered in a particular medium: oil on canvas. The so called lesser arts -- prints, etchings, graphic design, photography, etc. -- are confined to this status by virtue of the mechanical means of their making. Consequently, the medium in which a work is rendered can become as important as its message or meaning. Symbolism has become the measure of value. The recent auction of Jacqueline Onassis's possessions is a prime example of the power of false values.

Form and content are assymetric. Formal values are very often independent of content. Time can, and does, erase meaning of once familiar artifacts, but time can never erase form. Spontaneity, fantasy, intuition, invention, and revelation also play an important part in the language of art.

Among the many aspects of form, problems pertaining to the principles of proportion, for example, are significant. The rules of proportion apply equally well to the Parthenon or to a can of Campbells soup. The same is true for all formal relationships: contrast, scale, balance, rhythm, rhyme, texture, repetition, etc.
 
In spite of the fact that aesthetics is the only language of art, the subject has been greeted with indifference and sometimes irreverence. For example, Gwilt's Encyclopedia of Architecture (1842) describes aesthetics as "silly, pedantic term, and one of the useless additions to nomenclature in the arts." These and other unflattering references have caused this subject to be brushed aside. On the other hand, such definitions as "aesthetics is the philosophy or theory of taste," or "of the perception of the beautiful in nature and art" (Oxford English Dictionary) are too passive, to be really useful.

The Greeks considered all subjects a form of discourse, and therefore almost all education is a form of language education. Knowledge of a subject means knowledge of the language of that subject. Biology, after all, is not plants and animals, it is a special language employed to speak about plants and animals." Similarly aesthetics is not painting, design, or architecture; it is a special language designed to speak about these subjects, namely the language of interaction between form and content.
 
Confusion and misunderstanding is the result of the absence of a common language. In dealing with the subject of design, knowledge of the history of art and design is just as indispensable as the language of art. "Any subject," said William James, "becomes humanistic when seen from the stand point of history." Since both the history and language of art are not part of our common understanding, political, social and technological issues that may have only a remote connection to art arc usually substituted for discussions about the real thing -- aesthetics -- the language of art.

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